# Stuntmen React to Bad & Great Hollywood Stunts 46 ## Метаданные - **Канал:** Corridor Crew - **YouTube:** https://www.youtube.com/watch?v=xKWkQ4llUeo - **Дата:** 18.04.2026 - **Длительность:** 18:29 - **Просмотры:** 283,496 - **Источник:** https://ekstraktznaniy.ru/video/46101 ## Описание Your next chapter starts today. Get 10% off your first month of BetterHelp online therapy: https://betterhelp.com/corridorcrew (Sponsored by BetterHelp) Our videos are made possible by Members of CorridorDigital, our Exclusive Streaming Service! Try a membership yourself with a 14-Day Free Trial ► http://corridordigital.com/ Niko and Wren are joined by Gui DaSilva-Green to journey through the YouTube stunt community's action-packed history! Instagram ► http://instagram.com/corridordigital Merch ► https://corridordigital.store/ Creative Tools ► Puget Computers: https://puget.systems/go/CorridorDigital Aputure Lights: https://bit.ly/Corridor_Lights ActionVFX: https://bit.ly/TheBest_ActionVFX Greyscale Gorilla: https://bit.ly/GreyscalegorillaPlus Cinema4D: http://bit.ly/Try_Cinema4D Houdini: https://bit.ly/HoudiniSims Nuke: https://bit.ly/Nuke_Compositing JangaFX: https://hubs.ly/Q030gZZ20 KitBash 3D: https://KitBash3D.com/?ref=corridorcrew Octane Render: http://bit.ly/Octane_Wrender ## Транскрипт ### Welcome Back to Stuntmen React [] Welcome back to Stum and React. That's right. We got Gee on the couch. We got Nico. And we're going to be looking at all kinds of cool stunts from the internet today. — Hell yeah. What's up, guys? It's G the Silva. We're watching Stunt Med Reacts. And I got my two best guests, Nico and Red. I'm glad you guys coming in and being my guest. Can't wait to check it out. Thanks, guys. — Yeah, for sure. Thanks for having us on your show. — Yeah, no doubt. — It's about to be effing sick. So movies have some crazy action sequences. — But often times the most inventive, creative, cuttingedge stuff is happening on YouTube as people try to figure out their way into the industry and figure out how to like put their own mark on an art form that's been around for like decades. — And some really sick stuff exists on YouTube. I'm sure every one of you can name one cool fight scene that you've seen on YouTube made by just kids or teenagers trying to bust out of the industry. I mean, I have like five that have been like influential to my life. — You brought them? — No, I didn't bring them. — Why? — I did bring them. Okay. — But you brought them also. — Hell yeah. — So, you know, this is going to be really cool. — This has actually been really fun that I really like. Three and a half years ago ### Spiderman Noir - Proof of Concept [1:25] a couple friends, you guys actually know him. Ruben Mado came out for Punch for Punch. — Yeah, Punch for Punch extraction episode. — Hit him with it. He created a proof of concept Spider-Man noir that surprisingly got a lot of good traction. I think it deserves a little bit more, but I want you guys to check it out. — You had made it till you filmed the fight scene in the box warehouse. — That's true. And this is all the Atlanta boys and girls, so it's pretty fun to see them creating and building things. — Oh, nice. That was swinging. Okay. Nice. How much does that hurt? — Okay, so let's pause. Fine. We'll talk about the scorpion real quick. Cuz the scorpion — going to cry. — I've seen a lot of people do scorpion. — It's very popular now. It used to be something that maybe like four or five people did, but now it seems to be like a prerequisite to becoming an actual stuff forward. — Oh, dang. The scorpion I would say is a high level fall because a lot of people have broken their collar bone doing it because the idea is that you have to land up here and it does not feel good. — Stings, doesn't it? — Especially on concrete. Luckily, they didn't do it on concrete. But doing it on concrete does not feel good at all cuz it just stretches the neck out — and a lot of people bounce out of it. — That person stuck it. — Yeah. Yeah, it looks like he's using his arm there to kind of like almost act like an airbag to kind of slow his descent a little bit, but also aim it so that he can land between his shoulder and head rather than directly on the collar bone. — Exactly. Then the behind the scenes of uh Ballerina on the uh the stuntwoman's Instagram feed like day by day. She takes a hard scorpion — was getting her butt kicked. She's amazing though. So shouts to Chiao. — She's got a pistol. — Spider-Man with a gun. Fireman just gives up all his spider powers and just uses an M4 for the rest of his time. — So much easier. — Nice. — Oh, I love that jacket flare. — Mhm. — So, in real life, when you hook a person's leg like that, they're not going to like flip like that. — No. — He kicked him so hard. — But, you know, Spider-Man supposedly is like really, really strong. Technically, in the comic lore, he's supposed to be stronger than Captain America. — This move here is really cool. So, if we go back and go like moment by moment, there's a couple things I really appreciate. — So, this first step to the left foot, then launch really low to the right. — Really cool. — Interesting. — And then he lands — instead of scooping. Naturally in jiu-jitsu, you would grab the ankle. — Mhm. — And pull them that way, but he's going to just open the gate so that way he can get his uh right leg to sweep. — And after the sweep, he goes right back into the pose. — Yeah. — Which is nice. He's also really making it look like it's Spider-Man that threw him as opposed to him actually doing all — Exactly. Right. You don't see a lot of the prep in it, which is good. — Well, it's like I feel like the prep is him looking towards him. That's like a built-in wind up of like, huh, I've wound up now. — Gooning. Goon. That's called being a goon. — That is the job of a goon to make it look like you're doing all the right things. — I feel like that works as a noun, but not as a verb. — Verb. No, — it's definitely a noun. — I recognize him. He was gooning for the Riddler just a few months ago. Guess he's gooning for the Joker now. — Well, it was a stunt thing first. — I was like, "Excuse me? " — I like the minimal little visual effects being added in. They didn't need to add that touch, but it really helped. — That gun is so bent. You're right. Could been wrapped around That's how you curve the bullet, — right? I'm about to say it's wanted. It's not the bullet that's curving, it's the gun. — Hell yeah. Cool pose. — Yep. Have to. — I've realized more and more as I've filmed fight scenes and watched you and other people do the choreography how important it is to start in a pose and end in a pose. — Uhhuh. — Depending on the style of fight, of course, but — Right. But there's still a pose. — Yeah. All the time. And the pose is like what tells you the story between the actions. It's like I don't know. This they just NAILED IT HERE. WAIT, WAS THERE another wire pulling them? — Yeah, — I didn't even see it. Oh, wait, never mind. It's very much there. It's like I'm already looking at a scene filled with a bunch of boxes like — fair. And it's, you know, it's in a box world, but because of that, they have access to being able to use the wires, you know, which is heavily important for this kind of concept for this character cuz he needs to be swinging around. He's got to be throwing people around. This is fun. I like this moment. Woo. That's cool. A little Spidey sense moment. — Yep. — Ah, nice kick. That looks great. That's pretty inventive. Not going to lie. I like I feel like this is how I would want Spider-Man Noir to be choreographed. — Exactly. — Maybe you have to watch the show when it comes out. — Do these guys do it for the show? — I don't think so. — All right. — That was rad. — Sick, — right? That was really fun. — What's up, guys? Christian here. You know, one thing I always respect about stunt work is that the whole job is basically making something look intense while being controlled. From the outside, it can look fearless, clean, totally dialed in. But obviously, there's a whole another side to that. Preparation, pressure, trust, recovery, and just the mental side of putting yourself into highstakes situations over and over again. And I think that idea applies way beyond just stunt work. 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I've been using BetterHelp for 3 years now and it's really helped me and I hope it helps one of you out there. Thanks for listening and let's get back to Stuntman React. ### Darth Maul Fan Apprentice [7:37] React. — Show me another. — I wish to see another — another one. Another — another. — Oh, we met these guys at Lightstorm, — right? — Oh, that's these guys. — Yeah. — Darth Maul's so cool, — dude. I want to learn to fight like Darth Maul. — You're so close. — Getting there. I I'm working on it. Actively working on it at least. But It's really hard to deal with. What do you do in the background? — Twirling your lightsaber. — I I'm busy. — I got force blasted for twirling his lightsaber in the background. — Man, the other thing is like when you have like three or four Jedi, that's so many more lightsabers you have to trace frame by frame. What is your highest praise for this and what is a critique you'd give them? For me, I really enjoy the use of the lightsabers, but they don't do any real force stuff because Darth Maul should be able to play mind games with their heads and how they do stuff and cuz he's fighting more than one at a time. And I feel like it's just too much like come on, pull somebody in front of a strike to stop that guy from swinging at him. And — he did like force push the one person. — Yeah, but they're known for choking and pulling and doing more aggressive things than just a push. It also they're outside so their accessibility to wires and setting up could also it limits you. — There we go. As the other guy just waits for him to do that. — There's also the issue with like this comes down to like gunfights, sword fights. Doesn't happen so much in fist fights, but when you're dealing with lethal weapons, every single swing is you building yourself up to the emotional point where you're like, I will attempt to kill this other person. Like when you pull the trigger of a gun, you are attempting to kill something. So it's like in a movie if a character's like, here we go. Boom. Like that's a big moment. And the character goes boom boom boom boom boom. It's like every time you pull that trigger, — right? — If you're not having that emotional weight to it, then it starts to become more and more of a toy. And it's a little bit with swords too where it's like if every single slash no longer has like a lethality to it or this moment of character like this could possibly kill me. — It starts to lose its impact. — And I feel like there's a big bonus to having less moves in a fight scene but amping up the emotional intensity of those moves. And then if you get to a flurry at the end of that, then it's like every move is important and you're like, "Holy holy holy shit. " And then finally, you know, — I think that goes back to like Kiraasawa and the older Star Wars the original trilogy, right? Is they build the tension. It's the idea of the duel like one slash is going to end this. And you we've kind of veered away from the one slash is going to end this for the spectacle, which it's great because it shows off the abilities of the performers at the moment, but it does kind of hurt the action, you know? It hurts the stakes. — Not to be too critical of these guys' film, — but it is beautiful. — This like those shots are amazing. — The VFX are really well done, too. — Mhm. Darth Maul looks amazing. I'm sure he's sweating like hell. This whole thing is really well cast, but Darth Maul in particular, it just feels like you're watching Darth Maul, which is the biggest success of this whole — short film in my opinion. It's like it's a Darth Maul short. You're like, "Yeah, that's Darth Maul. " — I also want to see mishaps when you're fighting with multiple people. There's got to be times when you're bumping into one another. You get in the way of the other guy, the other guy trying to go for attack, and then like seeing how the Jedi can see ahead and they're having move. How do their plans ahead of each other clash or how do they work together? You remember that one scene in Hero where I think it's Chalian Fat and Jet Lee and they sit down and like they're listening to the music and they have the fight in their mind. — That's Jet Lee versus Dian Hero and they're just like how would I fight you and how would you react? They just stare at each other. It's like you would do this and I this. You can definitely like — really amp that up in a Jedi fight at the beginning. Like show us like look over there, move the white saber. The guy looks back like they move a little bit bit. Like so you can really tell that they're like sussing each other out. All right, take us on a journey. All right. Where else are we going on this step? This wild trip across the internet. — Dude, I'm buckled up. Let's go. ### My Hero Academia, UALA [11:44] — I'm going to play something that's me. — Okay. — For a little bit. We're just going to watch a little, just a small, not a lot. You can't talk about the internet or YouTube action without talking about Chris Callen. — Yes. — Oh, of course — you can. who we've had on the show, by the way. — Right. — Who amazing guest and we kind of grew up as filmmakers in the same forum. Right. — Right. So, here's ULA that we shot. I want to say it's been like 6 years. — Oh, at least — at least 6 years ago. — I remember when this came out. This is so cool. — Funny. It repops up on the internet. You're like, "Yo, have you not seen this? Why isn't Netflix doing this? " And he is now a director for Netflix, which is really cool. Dude, baby ghee. — I know. I'll never be that young again. — The anime inspired action that is Chris Cowan. Um, yeah, many people try to imitate it, but few will actually succeed at doing what he's capable of doing. God, I love that shot there. — Just the flow of motion. — Yes. — And it feels like a CGI, but it just turns out it's — a guy with a camera. — Him — running around But it's also like a match cut, you know? It's like he's moving along there, but because like you're not there and then suddenly you are. That has to be two separate shots and he's just matching the motion — to be able to do that in a park. — Yeah. Cuz it feels like super advanced. I mean, it's advanced physically, but Yeah. He's just timing up the edit. just cutting and it's so well hidden you can't see it. — Like so many cool ideas. The switching of the weapons — that's so subtle. Like he's got a sword and suddenly a staff and you can't even tell that there was a cut there. — Yeah, it's so good. — And Chris is really good. It's He's so top tier — framing. Sorry, go back. Just the framing has nothing to do with action. — I love this. This is my favorite. That's my favorite shot of the whole thing. — I love this shot. — It's so sick, — man. — Yeah. It's so good. All right. So, another group that's out of the West Coast, uh I think it's Orange County is EMC. — Well, of course we I've done a ton of work with these. — Yeah. These are your friends. You should This is technically a video that you brought. I'm going say you brought this video. — Yeah. There was a video game that came ### Sleeping Dogs, Pwnisher [14:29] out way back in the day — called Sleeping Dogs. — And they decided they're going to make a liveaction short that follows kind of what the feeling, the essence, the energy, the character that is Sleeping Dogs. — Yes. — So, let's watch uh the live action of Sleeping Dog. — But also, just real quick, — we would be remiss if we didn't mention that the Sleeping Dog short film is directed by none other than Clinton Jones. Ooh, — he made this thing. — That's right. — That's absolutely right. That's why it's from you guys. I don't care. You guys brought this video in. Shouts to Clint. You're the man, Clint. This is definitely part of the Hall of Fame. — Nice hits. — He threw a porcelain plate and it broke on his chest. That's how intense his abs are. It's also worth mentioning that Zinn did all the uh character reference and moves for the main character in Sleeping Dog. This is like the guy. — Was it like true crimes LA and then they changed the name of the — I think so. — He's just sitting there being like, "Thank God. Thank God I don't have to do that again. " — So for that move there where he kicks the door into the guy's head. — Mhm. Like — there's probably some sort of doors stop. Yeah. Right. — For sure. — I'm pretty sure this is at the poodle parlor down the street. — Oh, yeah. — Yep. — Really? — Yeah. — That table collapsed as he was jumping over it. — I wonder how many tables they broke for this. — The guy misses the boxes there. OH MAN, — BAD NEWS. — Love that move. — Yeah. Hella Tony Jaw inspired motion right there. The counter of the round kick with the hook kick. — All right, here we go. Ready for some fume effects. — Oldfashioned CG smoke. — Nice skirt. — Oh, baby. So sick. This one's perfect. — Yeah. Shot perfectly. Is choreographed perfectly. be edited perfectly. Effects are done perfectly. Goatated short. — I really want to say thank you guys for going on this journey with me as I share with you all my favorite indie action designers that are all over YouTube. It's really cool that you guys were down to sit and taking the opportunity to watch where I come from. And it's been really cool to see not just you, but all these different martial arts performers that I've watched on the internet as they've grown up as filmmakers and as performers like executing passion projects still, but at such a high level now, like truly making art. It's like I just want to be good at what I do and make stuff that people watch. I've seen that kind of bloom and grow over the past decade here. It's super cool. — Hell yeah. You guys are a very important part of that. You guys are heads of the community that is I want to make cool with my friends. And I think that's what it really comes down to is us all wanting to make cool stuff with our friends. And luckily all of our friends are super talented. — Hey, lucky for us. — Lucky for us. Hey — dude, I got so into all this. I was like, I want to just go kick some people now. — You didn't cross the line, though. Almost — there. Almost. Almost. By the way, I'm sure we've missed tons of amazing fight. This is the tip of the iceberg. — Yeah. Please leave comments down below with the craziest, coolest fight scenes, not from movies, but from indie creators here on YouTube or Vimeo or elsewhere down in the comments below so we can pull them up in another episode. We won't wait 6 months until we do the next. — Yeah, let's not wait 6 months. Let's not.