# CANON R6V | 7K Open Gate RAW | IBIS | No Overheating for $2,500!?!?

## Метаданные

- **Канал:** Potato Jet
- **YouTube:** https://www.youtube.com/watch?v=865VRjn2hqU
- **Дата:** 13.05.2026
- **Длительность:** 17:40
- **Просмотры:** 115,957

## Описание

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Shoutout to Base Case - https://getbasecase.com/

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## Содержание

### [0:00](https://www.youtube.com/watch?v=865VRjn2hqU) Segment 1 (00:00 - 05:00)

So, could this be the Canon I've been waiting for? The Canon R sixV. It is a video focused Canon camera, but it has ibis. Cuz in the past, usually it's been ibis or video focus. Now, we have both in one camera and it shoots open gate raw. And it's 2500 bucks. That's quite a value, isn't it? Sorry, there's just mosquitoes freaking everywhere right here. I wanted to shoot the whole intro here, but I we're just we can't handle the mosquitoes. — I got the heeie jebies. — Let's get the OUT OF HERE. RUN. AH, OKAY. PETA, I think we're safe. So, one of the things I always try to do whenever I'm making a video about a camera is show you as much footage out of the camera as possible. Like, if I'm shopping for a camera, like I just want to know what's the footage look like in all these different scenarios, right? So, what I'm going to do is shoot as much of this video as I can out of this Canon R sixb. And anytime I need to switch to a different camera, such as this Sony FX3, I will make sure I put a little asterisk right there in the corner so you know that this is not footage out of the R sixV. And if you don't see that asterisk up there, that means you are looking at footage from the R sixV. But before we get into it, Canon wanted to make sure that you all know that this is a pre-production version of the camera. It's actually not fully finalized yet. So, all this footage you're looking at now, uh, Kenna says, "Don't use this for evaluation purposes, but this is footage out of the camera. Quick first impressions here. Check that out. Quarter 20 right on the side of the camera for vertical video. And also right here, we have a zoom rocker right here because this lens is also brand new. This is a 20-50 mil, which is a pretty great lens actually. I mean, it starts off nice and wide and it still gets you into a 50. F4, but stabilized but power zoom or like kind of like a servo. So, just onehanded, I can zoom in all the way to a 50 and zoom out 20. What? Anyways, I've been taking this camera along with me on this road trip that I'm on right now. So, let's look at some footage and at the end I'll tell you my favorite and least favorite things about this Canon R sixV. First stop of the road trip is to visit Frank. What's up? What's going on? — We're still in LA. We have not made it very far. Frank's brought us to some Ninja Warrior park near his place. — It's super difficult. Extremely difficult. Look at this, dude. Like, what am I supposed to do here? Jump to that one like a video game. Press B and then that's it. Oh my god. — It's over. — Yeah. I'm curious to see how this footage looks because it is terrible lighting here. Very intense direct sunlight back there. We're just kind of in the shade under this kind of little red umbrella, but I'm in clog 2 so I should have a decent amount of dynamic range. Oh my god. What the heck is this? Oh my gosh. — Oh, okay. That's pretty good, — dude. I like the zoom. — We do have 4K120, I think. — Let's try it. Don't eat crap, bro. — No 4K120. — You got to go into a different mode first. — Yeah, I'm in the slow. — Oh, you already did that. — Do we not have 4K120? We'll have future me explain what's going on here. — You put your camera to movie crop mode and forgot to switch it back like a dumbass. So, switch it back to full frame and you'll have access to 120 frames per second again. I've been in movie crop mode this whole time. — That's why when I was holding a 20 millimeter, I was like, "How come 20 millimeter doesn't seem that wide? " — Oh, you know why? I stopped by Eric De Haven's shop yesterday and he had this like funky T1 lens. That was a super 35 lens. So, I put it into movie crop mode. Okay. 4K120. Here we go. Now we're talking. — That was good, man. — And then you got to get the stripper pull down. The stripper. — All right. You're turning to do some epic stuff. — Yeah. This is the ankle breaker right here. — Let me get you trying this. — I have a wedding Saturday. I work Saturday. — Now these shoes are way too slippery. — That was good. And you did the Mario Brothers sound. — I like this cuz it's like the only thing here I could do. All right. So, if I get out of slow-mo now, I have the basic stabilization on. I'm just holding the camera like this. I love that I could give it a little turn just like that and zoom in. — That's cool. — Onehanded. Like if I ask you a question, I could just put you on the spot slowly zoom in and it'll seem important. Like, welcome to McDonald's. Can I take your order? — I would like a big magma deal, a quarter pound with some cheese fillet, a fish, a hamburger, a cheeseburger, or a happy meal. — If you were to buy one, what are the things you must know before you decide you're going to buy one? — And overheating. — Does it overheat? — Yeah, I'm curious about overheating cuz my R six Mark I still overheats. It was overheating yesterday on me. So, we'll have to test it in some hot environments. Uh, what? 4K 60. — 60p. — Yeah. — But for the most part, it feels good. It feels comfortable. — Is it Frank approved? — It is Frank. So far, it is. — Let's go to the easy ninja warrior. Ninja Warriors. — Dude, I haven't been on a swing in like a billion years. Okay, that's enough, — dude. What is the swing just like for me? One of the things that I really don't like about Canon's IBIS, at least in the past, is the IBIS wobble, especially on a wide angle. But I'm all the way out at 15 mil right now with the

### [5:00](https://www.youtube.com/watch?v=865VRjn2hqU&t=300s) Segment 2 (05:00 - 10:00)

basic digital stabilization turned on. And hopefully we don't see any wobble. So, as far as I can tell, the IBIS wobble seems to be gone even on a ultra wideangle lens, which is great news cuz the episode where we went to Japan's camera show, we filmed that on Frank's Canon R six Mark II, and there were instantly comments about the Canon IVIS wavvel. So, ever since the R six Mark III, it seems to have been gone. And obviously that's super important if we plan on using this camera for video. Anyways, we made it to Nevada and doing a little pit stop at the Las Vegas Sphere. You know, as a video guy, there is no place as insane as the Las Vegas sphere. So, I'll watch any show that they have playing there. You know, people always talk about how I went over budget to $2. 3 billion, but when you're in there, it's like, yep, I can see why it's $2. 3 billion. We were just passing through Vegas and we share our location with each other and I just pulled out my phone. And I was like, "Oh, Jonathan's here doing a shoot for Honda and now we're here. " — Now we're here. — Literally, I was uh in the middle of filming and I was like, "Oh. " — And you were shooting with a Canon C300 Mark III. — Yep. That's right. — With that nice dual gain output sensor. — Yes. — For Honda, you're shooting Canons. — Yeah. Right now Canon. Yeah. — I mean, you guys have the C300 Mark III. — We — C500. — C500 Mark II. — C700. — We have a C700. — Yeah. — I feel like for someone like you having something tiny like this. — Yeah. This would be cool. This would be perfect especially for shooting interiors. to go inside. — What do you use right now for your interiors? — We have the R5C. — Oh, you have the R5C. Okay. First of all, this is going to be the entrylevel Canon video cinema camera. Uh coming in at 2500 bucks. — Oh, that's not bad. — Full frame. — I feel like it's a great entry-level camera because of the price point and the capability you get for it. But even for someone like you that has a C700, a C500, a C300, sometimes it might still be the best tool for the job because of the IBIS. You guys are just shooting the Grand Prix, right? Send a few of these out and just people go around getting handheld shots. — Absolutely. — Full size HDMI — mic port headphone jack. — Well, that's a big deal. — Yeah. You're used to the micro, huh? — Yeah. Yeah. Oh, okay. I like that. Yeah. — Switch from video to switch cuz uh with this R5C, I felt like it took forever. Too long and the shot's gone. Yeah, — the moment it's gone. This is just instant. You switch it and it's already there. Not even a second. The other part um with it was it drained the batteries really fast. Probably would buy this to replace it. — Yeah, — just cuz like just the battery life itself. And then R5C didn't have IVIS, so for handheld work, it could be a little tough. This has IVIS. Also, I love that Canon gives us all the exposure tools. My Sony FX3 gives me histogram and zebra. This has both of those, but also it has false color and we also have waveform, which is so important. And that's one of the things I really wish that Sony gave us. So, going back to Canon, this is the camera that's tempted me the most. So, we put in some more miles and we finally made it to Utah. And tonight, I'm actually excited to stay at a truck stop because I heard that if you take a shower at a truck stop, it's surprisingly nice. This is not what I was expecting for like a truck stop shower. — Here's the toilet equipped with a bet. — A bud? — I've never tried one before and I'm very tempted. — We got towels. We got so candy. — I don't know if I'm going to take a bath or a shower. — So, my first time taking a shower at the truck stop. Hands down, five-star review. Anyways, I figured this might be a good chance to check out some low light out of this camera. So, we have a dual base on CLO 2 at ISO 800 and ISO 6400. So, that basically means if you're shooting at ISO 5,000, you're going to get grain. But then you switch to 6400 and it's clean. 5,000 grainy, 6400 clean. Side by side with the Sony FX3. And again, let me remind you that this is a pre-production version of the Canon. So, I'm not supposed to be evaluating the image hardcore like this, but I mean, I'm seeing some good stuff out of this Canon. So, while we're on the move, this is kind of my little workstation here. I've got my laptop and then send it out to an iPad. And then up there, we have the Starlink that gives us internet. And it's perfect for simple stuff, but it's not really great for heavyduty work. So, I've been eyeing this thing called Base Case, which seems like a super quick dual screen monitor setup workstation. And turns out they're based out of Salt Lake City. So, I stopped by and met Arthur, who's the founder of Face Case. So, basically 2 years ago, Arthur hacked up the suitcase and put two giant monitors in there and it was janky, but it worked. So, he took that concept and started refining it and perfecting it so he could bring it to market. — Hey, not bad for my first time setting it up. They were generous enough to let me borrow one so I could do a little test run with it. Pull out the legs. Flop it up and Oh my god, that is easy. One cable for the power and one USBC cable and that charges your laptop too. Genius. I love things that make my life easier. And let me just say after my first full day of editing off of dual 4K 24in displays, I don't think I will ever be able to edit off my laptop screen ever again. But anyways, notice that the

### [10:00](https://www.youtube.com/watch?v=865VRjn2hqU&t=600s) Segment 3 (10:00 - 15:00)

Canon R sixV has been recording at 4K60 for over two hours with zero signs of overheating. Now, this is not at all a scientific overheating test because I don't have the incubator with me, so I can't really control the temperature. And also, I've had the camera powered off USBC, so I don't have to worry about the battery dying here. But maybe that might actually help it not overheat because it doesn't use the battery as much. And I did also switch over to the 7K open gate at 30 frames per second. And there is a fan setting that you can adjust from low, medium, and high. But even with it set to low, I let it run for over 2 hours. And again, zero signs of overheating. So definitely gives me quite a bit of confidence with this camera. But again, this is all in room temperature. Now, outside it is 90° and inside the van, it's much hotter than that. Well over 100°. And I had it running at 4K60, but I did put the fan up too high to see if it overheats. And it did start giving me some signals that it was heating up, but then the fan would kick on and it would drop back down, which I was very impressed about because I could not spend more than 2 minutes in this fan. But this did 4K 60 for over 2 hours with no overheating. But I wasn't going to leave until I found the limit. So I set the fan setting to low and also set it to 4K 60 in fine mode, which looks a little bit sharper. But putting it in that mode, it does let you know that it is more likely to overheat. And sure enough, it eventually overheated after 20 something minutes. But honestly, this is kind of an extreme overheating test when you consider how freakishly hot it got in there. So that's why you never leave your pets inside the vehicle in a sunny day. But I ran one final test at 4K 60, but running off the battery this time. And we did see that overheating meter start climbing up, but the fan definitely kicks in and it feels like it's able to kind of fend it off a bit. And the fact that it went this long without overheating in this car at 4K 60, I'm honestly impressed. And I would feel 100% comfortable taking this on a shoot where overheating might be a concern. I would just stay off the settings that give you warnings that it will overheat. Okay, so time for my favorite and least favorite things about this camera. So, first thing that makes me very happy, great IBIS in a video focused Canon. Like when I was testing out the Canon R six Mark III and the C50, I kept thinking like, man, would it be awesome if we had the great IBIS stabilization from the Canon R six, but didn't have to worry about overheating. If these two cameras had a baby, here it is. Now, my first sad face with this camera was when I took my first photo and realized there is no physical shutter in here. So, when you take a picture with it, it just has a little beep sound effect and there is no shutter feel. I think it kind of bothers me more than others. Like Frank seemed unfazed by it, but when I first took my first picture on it, I was like, "Am I actually taking a picture? " — Cuz nothing moves inside, right? Like even the Sony FX3 has a shutter inside. So even if I take that into photo mode and take a picture, it I still feel it goes. — Well, this doesn't you can't feel a shutter here as well. — So you're used to taking pictures on things without a shutter. But it totally makes sense why they pulled it out. I mean, like, there's a lot of Canon cinema cameras that don't have a shutter, but it doesn't even have a photo mode, so you never even realize it doesn't have a shutter, right? So, I appreciate that they still put the photo mode in here. And it also helps shave down the price, so it definitely makes sense. Which brings me to the fact that this whole camera is 2500 bucks, which is actually less than the Canon R3, which was pretty surprising to me. Honestly, feel like the mid $2,000 range for mirrorless cameras is getting really interesting right now. You know, like we have the Nikon ZR which has that great big display and Red Code RAW but it doesn't have a fan. And then there's the Sony FX2 which has like that viewfinder and has a shutter and nice for taking pictures but no 4K120. This camera feels really wellrounded for the mid $2,000 range. And also that 20 to 50 mil F4 lens power zoom lens we've been playing with is 1,400 bucks, but if you get it with the R sixV as a kit, it's 3700. So that's still actually less than the Canon C50 body only. It's exciting to see Canon really integrate this power zoom and also the lens itself weighs nothing. It's like freakishly lightweight. Now, we are missing a time code jam sync port. So, that's one of the things that is kind of nice about like the Sony FX2 which is in the same price range is it does have a way to jam time code metadata straight into like the USB and you still have your audio inputs free. But that's this only really matters if you're using time code, you know, like multicam or using time code microphones like tentacle syncs or whatever. But you can still do the free run, match it up to the time of day thing and just generally get in the ballpark. But to get precise audio time code, you're going to have to just do it through audio and take up your microphone port. I love all the exposure tools, waveform, false color, and histogram. My Sony FX3, which costs way more, has none of these. Actually has histogram and zebra, but waveform and false color. Come on, that's sweet that that's in here. And while we're on the topic of things, my Sony doesn't have 4K 30 in H. 265, which is a nice efficient format. Okay, this

### [15:00](https://www.youtube.com/watch?v=865VRjn2hqU&t=900s) Segment 4 (15:00 - 17:00)

isn't anything special, but my Sony FX3 has H. 265 and 4K 24 and 60, even 120, but for some reason, it doesn't have 30. But anyways, I'm glad to see that this Canon doesn't really seem like it pulls out anything that I might want. You know, it still has clog 2, still has clog 3. Actually, I take that back. It does not have shutter angle. So, that's one of the things I do like to do with my Sony cinema cameras is just set my shutter angle at 180. And for the most part, just never have to even think about the shutter speed. Even when I'm changing my frame rates around here, I'm still sliding around that shutter speed. But I would say Canon's user interface for the most part is a good thing. Especially scrubbing in playback. So, when you have a super long clip on my Sony, I'm having to like fast forward and that's terrible, especially in like a slow-mo clip, you know, but in the Canon, I can just like how it should be. But also, you don't get that nice Canon's cinema series user interface menu system. Still pretty good for the most part, but sometimes I do find frustrations with it. like when Frank and I were trying to figure out why my false color wasn't working. But eventually I found out that I have to go into manual focus, turn off focus peaking, and then now I can use it. But it's just like we were scratching our heads for a pretty long time trying to figure that out. So there's some quirks that you kind of have to work through, but I mean I guess all cameras have their quirks, right, in their menus, except for area Lexus. Those menu systems are perfect. But now that we have IBIS in here, even when I'm shooting in open gate on here, I still have some sort of stabilization if I'm shooting handheld. So like IBIS stabilization because when you're shooting open gate, there is no digital image stabilization options, which I guess is kind of like my final complaint is I do wish that there was some digital stabilization I could apply and still get that taller aspect ratio. And sometimes I don't need full 6K, you know, like 4K stabilized 4x3, like taller aspect ratio mode. or actually I don't think it's 4x3. I think it's technically 3x two. But overall thoughts, a lot more things I like about this camera than the things I dislike about this camera. It can kind of do a little bit of everything from vlogging to documenting your adventures to photography to cinematography to 4K slow motion to open gate raw. Anyways, we are now headed off to continue our road trip. I think we're going to be getting a sample of the new GoPro, the Mission One, the 1in sensor. So, you know, if there's anything you want us to test out with that, let us know in the comments. And uh I think we're headed to Denver now. Peta, any final words? — I want lunch. She's hungry.

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*Источник: https://ekstraktznaniy.ru/video/52575*